On writing

The happiness that attends disaster

“Emotions, in my experience, aren’t covered by single words. I don’t believe in ‘sadness,’ ‘joy,’ or ‘regret.’ Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I’d like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, ‘the happiness that attends disaster.’ Or: ‘the disappointment of sleeping with one’s fantasy.’ I’d like to show how ‘intimations of mortality brought on by aging family members’ connects with ‘the hatred of mirrors that begins in middle age.’ I’d like to have a word for ‘the sadness inspired by failing restaurants’ as well as for ‘the excitement of getting a room with a minibar.'”

—Jeffrey Eugenides, Middlesex

“But words…”

“‘But words brought into a happy conjunction produce something that lives, just as soil and climate and an acorn in happy conjunction will produce a tree. Words are like acorns, you know. Every one of ‘em won’t make a tree, but if you just have enough of ‘em, you’re bound to get a tree sooner or later.’” —William Faulkner, Mosquitoes